LIFE’S BUSY, LET US BOOK FOR YOU! PHONE 02 6493 3366
2023 Four Winds Music Festival Bermagui South Coast NSW
LIFE’S BUSY, LET US BOOK FOR YOU!
PHONE 02 6493 3366

Reflect

Collective

Featuring Timothy Young

Date

Sunday, April 9th
Expired!

Time

11:30 AM – 12:30 PM

More Info

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Date

Sunday, April 9th
Expired!

Time

11:30 AM – 12:30 PM

Location

Sound Shell
Four Winds Road, Barragga Bay, 2546, NSW, Australia
Ticketing packages:

This event is included in the following package/s:

Tickets

Sunday Sound Shell Daytime Pass,
Weekend Sound Shell Daytime Pass
  • Performers:

    Soloist // Timothy Young – Piano

    Four Winds Festival Orchestra
    The individual artists drawn together from across the nation to form the Festival Orchestra will be announced early next year – comprising our nation’s finest talents, the makeup of this group can be subject to change at any time.

  • Repertoire:

    Nature of Daylight – Max Richter
    Fólk fær andlit (People get Faces) – Hildur Guðnadóttir
    Grass – Coleridge-Taylor Perkinson

Reflect

Featuring Timothy Young

“Pile the bodies high at Austerlitz and Waterloo. Shovel them under and let me work — I am the grass; I cover all.”

Carl Sandburg

These words of Pulitzer poet Carl Sandburg in 1918 reveal thoughts on the futility of war and its associated senseless deaths. Almost 40 years later and only in his mid-20s, American composer Coleridge-Taylor Perkinson embraced this poem while watching many Black Americans shipped off to fight in the Korean War, inspiring a new work, Grass. This piano tour de force takes a leaf from Stravinsky as much as from the composer’s broad artistic interests that led him to perform with the likes of drummer Max Roach, Marvin Gaye and the famed Alvin Ailey Dance Company.

Interested in a ‘piece of music being a place to think’ Max Richter’s achingly beautiful Nature of Daylight responds to the 2003 Iraq War. This work resonates equally with globally-acclaimed film composer Hildur Guðnadóttir’s Fólk fær andlit (People get Faces), in which he writes to the mistreatment and deportations of refugees in Iceland in 2015.

Through these works we pause to contemplate how music expresses and illuminates aspects of humanitarian plight in a global sense and gives voice to those who have suffered mistreatment or disregard for human life.

 

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